Samad spends a large portion of the book being very loud and
indignant about his religion, but lacks the conviction to personally follow
through on his own ideals. When his sons are in elementary school, he rails
against the PTA for the distribution of school holidays. Samad proclaims that
there are too many Christian holidays, and that the “Pagan” Christian events such
as the “Harvest Festival” should be removed and replaced
by additional Muslim holidays. Although this shows the white, Christian
dominated Western culture; it also shows that most people have no problem with an
imbalance as long as they are the ones with the more or the better. Meanwhile, Samad
completely disregards, and, in fact, belittles the fact that the Harvest Festival
has students donate food to the elderly. He constantly berates Alsana for not
being Muslim enough, for example at one point he is outraged by her outfit of
British running shoes, a Muslim sari, and an African headscarf. This was in
spite of the fact that he was, at the time, wearing a British track suit, and his
white mistress’ baseball cap was in the corner, not to mention that he likely
had, just that night, drank alcohol, forbidden to Muslims. This culture clash
is further exemplified in his twin sons. Deciding that they are too British,
but not able to afford to send them both, he sends Magid to Bangladesh to grow
up traditionally. Regardless of Sadam’s overbearing ways, Millat becomes a radical
Muslim with a penchant for sex, drugs, and violent American movies, while Magid
becomes the human embodiment of secularity. Samad is horrified by both his
religious son and his atheist son, proclaiming them both failures.
Good, what motivates his ambivalent and contradictory relationship with his own culture as well as British culture?
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